#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# #
Gotta Jiboo Trey Anastasio Transcribed by Jonathan Healey (makisupa@asu.uswest.net) Help from Jeff Arons ( Jeff9360@aol.com ) Intro lick from mario ferro <Piper59702@aol.com>
Heres the general theme, Trey changes it around a ton,
so play with it,......a lot.
E D E D
. . .
I-------------------I------------------------I
I---------5----3----I--------5-5---3---2h3---I
I---------4----2----I--------4-4---2---2h----I
I--2-/-6--6----4----I--4-/-6-6-5---4---2h4---I
I-------------------I------------------------I
I-------------------I------------------------I
--4-----------------2-------- --5-----------------3-------- --4-----------------2-------- --6-----------------4-------- --7-----------------5-------- --0-------(0)-------0-------- let E ring
E->D Jam (32-64 measures)
E->D with lyrics: "Momma sing sing thatcha gotta jiboo.
Papa sing gotta jibboo"
X3
"Momma sing sing thatcha gotta jiboo.
Gotta jiboo and keep on drinking, too... (whoo)""Gotta Jiboo" X16
E->D with lyrics: "Momma sing sing thatcha gotta jiboo.
Papa sing gotta jibboo"
X3
"Momma's been saying thatcha gotta jiboo.
Gotta jiboo and keep on drinking, too... (whoo)"
"Gotta Jiboo" X16
Rising Rift E->F->G->A->B->C->D->
E->D Jam
Rising Rift E->F->G->A->B->C->D->
E->D Jam
E->D with lyrics: "Momma sing sing thatcha gotta jiboo.
Papa sing gotta jibboo"
X3
"Momma sing sing thatcha gotta jiboo.
Gotta jiboo and keep on drinking, too... (whoo)""Gotta Jiboo" X16
E->D with lyrics: "Momma sing sing thatcha gotta jiboo.
Papa sing gotta jibboo"
X3
"Momma's been saying thatcha gotta jiboo.
Gotta jiboo and keep on drinking, too... (whoo)"
"Gotta Jiboo" X16
E-------------------------------------(16)*
B--2--3--5--7--8--10--12--14--15---------
G--2--4--6--7--9--11--12--15--16---------
D----------------------------------------
A----------------------------------------
E----------------------------------------
*second time only
From: Jorge Asimos <dj_jazzy_g@hotmail.com>
This one is just a lick I picked up for the verse. Play it bouncy. E------------------------------------------------------------- B------------------------------------------------------------- G-----------9--7~~------------9------7-----7------------------ D---7h8h9-------------7h8h9------9------9-----9--------------- A------------------------------------------------------------- E------------------------------------------------------------- This one is the signature lick. After it, Trey uses a turnaround in the E blues scale before repeating the lick again. S=Slide Up *Oh yeah, before going into the jam Trey replaces the final 7-7 with a 9~. He does this every time to signal the jam. E------------------------------------------------------------- B---9~---10-9-7-----7s9--------------------------------------- G----------------9-------7-7--(9~)*--------------------------- D------------------------------------------------------------- A------------------------------------------------------------- E------------------------------------------------------------- Here is a turnaround I heard Trey use a few times. He seems to just make them up as he goes before returning to the lick. Anyway, this is one of the common ones. This come right after the signature lick. **=Repeat of signature lick. E---------------------------9p7------------------------------- B---------------------------------**9~------------------------ G---9p7------7------7--9-------------------------------------- D--------9------9--------------------------------------------- A------------------------------------------------------------- E------------------------------------------------------------- This is an intro that I've heard Trey use. he does this little run before going in to the lick. Repeat first phrase a few times then.... ***=This note is the start of the signature riff. Listen to a tape to get the timing right. It can be a little tricky at first. Hint....second part of the lick is played real fluid-like and slow. E-------------|------------------------------------------------ B-------------|-----------------7---7h9~***-------------------- G---------9-7-|--9~--9p7----7h9---9---------------------------- D--7h8h9------|-----------9------------------------------------ A-------------|------------------------------------------------ E-------------|------------------------------------------------ This is a lick I've caught Trey using in the jam. Hope it helps. E--------------------------------------------|------------------back B-9~--9-7h9p7-----7--------------------------|-----------7----9-to G--------------9-----9---7--7h9p7s6h7p6------|--7---7--9---9----begining D----------------------------------------7s9-|----9-------------of riff A--------------------------------------------|------------------ E--------------------------------------------|------------------ Well, that's pretty much it. After the lick just jam in E for a while. After a long jam Trey funks on E9 before going back in to the main E-->D Progression. Once again, listen to a tape or MP3 to get the timing right. I think that these tabs are almost perfect. I've tested them a bunch of times on a few recordings. For the turnarounds, sometimes it works best just to make up some licks. From what I've heard, a lot of the song is just improv anyway. Questions and Comments are always welcome. Peace, J