Harry Hood

by Phish
Transcribed by Emil Hedaya ( skjut@usa.net )

Listen to a recording for timing information; it just doesn't pay to write it out.

Intro:  Dm > Am (x4), F > Em (x4), C > A7+9!!

                    
    Dm      Am     F     Em      C     A7+9 
E----5------5------8------7-------0------------------------------------
B----6------5------10-----8-------1-----13----------------------------
G----7------5------10-----9-------0-----12----------------------------
D----7------7------10-----9-------2-----11----------------------------
A----5------7------8------7-------3-----12----------------------------
E-----------5---------------------------------------------------------

This repeats a couple of times; sometimes the band trades small solos.
Then:


       Dm      Em Am 
  Harry!  Harry!  Where do you go when the lights go out? x3


       Dm      Em Am                D
  Harry!  Harry!  Where do you .... go?


Once the band hits "go?", Trey starts here (over a D chord) :

Most of these get hit on the upstroke
   D                 A          G
              H-O
E-10--12--10---------9--10--9---7--8--7--7--10----------------------
B-10--10--10--------10--10-10---8--8--8--8---8----------------------
G-11--11--11---------9---9--9---7--7--7--7---7----------------------
D-12--12--12--9-11--11--11-11---9--9--9--9---9----------------------
A-------------------------------------------------------------------
E-------------------------------------------------------------------

Repeat once

Then:

   G      Em     F#m     G     Em      F#m    A
E--7------7------9-------7------7------9------9---------------------
B--8------8------10------8------8------10-----10--------------------
G--7------9------11------7------9------11-----9---------------------
D--9------9------11------9------7------11-----11--------------------
A-------------------------------------------------------------------
E-------------------------------------------------------------------

Repeat both those again, the next time sliding down to:

  A 
E-0--
B-0--
G-6--
D-7--
A-0--
E-0--

Trey pulls a little fill like this in here:

    Slide        Slide Slide
E-----------------------------0-------------------------------------
B-----------------------------0-------------------------------------
G--9->-11-11-11-11->-9--->----6-------------------------------------
D-----------------------------7-------------------------------------
A--7->--9--9--9--9->-7--->----0-------------------------------------
E-----------------------------0-------------------------------------

Thanks to Steve Munno for this part:

     Slide
E------------------------------------------------0------------------
B------------------------------------------------0------------------
G---9-->--11-->--9-->----13---13--->-11-->--9----6------------------
D------------------------------------------------7------------------
A---7-->--9--->--7-->--11---11--->---9--->--7----0------------------
E------------------------------------------------0------------------



Then:

G > F#m > Em > F#m  (Repeat)

This part is played a little different.. play the root then strum the chord.
Kind of bouncy. (listen to a recording)

G > F#m > Em > F#m > G > F#m > G > G# > 


This part is "collectively" in 25/8. 
A > D is in 5/4 and 
E > D > E > D is in 15/8

The timing is as follows:
b  = eighth note 
* = dotted eighth note (held 1.5 times as long as an eighth note)

A       D       E     D     E     D 
b b * * b b * * b b b * * * b b b * * *

Fish plays quarter notes through the first four repeats so the riff starts at a 
different point in the drum beats each time. When you really see how simple 
the rhythm pattern is, you will have a better feel on what you're doing.

He slides out of this with :

D > C#m > Bm > A (open stringed)

These are the formations Trey uses (similar to those in Divided Sky)

   A     D     E    C#m       Bm     A(open stringed)
E-------------------------------------0------------------------------
B--5-----10---12-----9--------7-------0------------------------------
G--6-----11---13-----11-------9-------6------------------------------
D--7-----12---14-----11-------9-------7------------------------------
A-------------------------------------0------------------------------
E-------------------------------------0------------------------------

Repeat that part before again.. this time moving to :

D > G > C > Am   (hit on Distortion at Am)

Repeat what's in the repeat signs .. listen to a recording to get the # down
  Bm .......   |:                             :|
 Slide up       P-O  P-O      H-O H-O  H-O H-O
E-------------------------------------------------------------------
B-------------------------------------------------------------------
G-----------10--10-9 10-9-------------------------------------------
D---------9---------------12--9-10-12--9-10-12---9-10-----9---------
A-----9-8-----------------------------------------------------------
E---7---------------------------------------------------------------

   [no chord]
  Thank you Mr. Minor...

A > Bm (Loud!)

Then it moves up to C#m (just up two frets) .. I'm not going to write it
all out again though.  Easy enough to just move up.

B > C#m

Then up again two frets to D#m.  


 E              A        E              A        E               A
  Thank You Mr. Minor ... Thank You Mr. Minor ... Thank Your Mr. Minor...


 A  
  Thank You Mr. Hood...

And then of course, comes the jam (who can forget it?) .. It's basically over
this progression:

D > A > G (two bars)

After Trey hits the high D note bent up to an E (I'm telling you, that 24th fret
is killer -- I recommend YOUR next guitar purchase includes two full octaves on
the fingerboard), he does this lick over the progression with lots of distortion 
to signify the end of the jam:

     D         A             G
 |:     :|  |:    :|    |:      :|
E-----17--------17-----------17-------------------------------------
B---15--------14-----------12---------------------------------------
G-14--------14-----------12-----------------------------------------
D-------------------------------------------------------------------
A-------------------------------------------------------------------
E-------------------------------------------------------------------

and of course:

             D     A                G
You can feel good, good, good about Hood .. (x3)

      D
Harry Hood!


Side note:  I think sometimes Mike will scream out over Trey "I feel good!" .. not sure
though.  It works out nicely, with the "ood"'s matching up.  Whatever.  


Enjoy!  Please send comments / corrections to skjut@usa.net