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Mesa Boogie/Cabs

Started by GonePhishing46, January 28, 2010, 09:59:47 AM

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GonePhishing46

Anybody know what stripe Trey's Boogie is? I assume purple stripe for some reason. Also, seeing if anyone knows what tubes. I remember reading somewhere that they're Sovtek 5881s, but I don't know. Lastly, are his old wooden cabs made of Baltic Birch or Pine or anyone know? Appreciate any help.. I'm currently upgrading to some new gear.
Custom Hollowbody -> TS-10 -> TS-9 modded -> Ross Compressor -> Whammy II (True Bypass) -> Tuner -> Black Cat Vibe -> Alesis Quadraverb -> Groove Tubes Soul-O-75 -> Groove Tubes 4x10 Cabinet || Hammond Leslie

Walker done done

Although I can't answer your question, I am also very interested in learning anything more I can about the Mark III's.  I recently purchased one on a whim because I just happened to walk into a local pawn shop-type guitar store here in Portland, and for $850 I figured even if I didn't like it, I'd be able to flip it for at least that.  Reminded me of an impulse buy when you're standing in line at the grocery store and look down and see that shiny package of Reece Cups staring at you.  :D

So far though, I don't like it, but I'm not ready to throw in the towel with it just yet.  I figure I should try to do as much tweaking to get it to something I can enjoy before I decide if it's not for me.

This Mark III had all original everything - including EL34's & 6L6's from Mesa, as well as the original speaker.  It is a green stripe model, which I believe is the last of the Mark III's.

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I had a preamp tube replaced that was bunk, and replaced both 6L6's with Groove Tubes, and also replaced the EL34's (can't remember right now what I threw in there).

I was going to replace the speaker, but the amp tech who I had take a look at it said not to, because this speaker was made specifically for this amp, by Mesa.  He said it had no color of it's own, that it was basically designed to give you exactly what the amp itself sounded like.  Although I appreciate this advice, I'm still not sold on it.  To me, the amp sounds lifeless, to be honest.  Powerful, yes, but lifeless.  I mean seriously, my HotRod Delux sounds like it's got more running through it's veins than this Mark III has.   My hollowbody doesn't ring or sing nearly as nicely through the Mark III as it does through the HRD, and I can't figure out why.  I'm tempted to rip my Tone Tubby out of my HRD and toss it in the Mark III to see if it makes a difference, but the labor of doing so has held me back thus far.

I've also started using the effects loop that it has built in, but I've noticed I get quite a bit of sag in power/volume when I've got somethnig plugged into those jacks than when they are not in use, which I find odd, not to mention extrememly annoying.  Is this normal?  I'll be honest I don't have much experience with effects loops/switcher systems and the like, but I know with my HRD there is none of that going on when I use the effects loop.  For reference, in the effects loop has been: delay (either TC Nova delay or DM2000) > Digitech RPM-1 (leslie sim) > Alesis Microverb.  I've also toyed with putting the Whammy (currently have both the II and IV) in there.

So I've been wondering - what else can I do to tinker with this amp to shape it better?  I don't plan on spending $400 a piece on tubes, either, as I just don't see that as a wise investment, but if that's shortsighted on my end, please let me know.   

Thanks in advance for any/all reco's.
Guitars: Resurrection Phishy Hollowbody (koa top/back, cedar sides, Schaller Golden 50 pups, 2 series/single coil/parallel switches), Gibson SG Faded, Dean Evo, Fender Tele, Ovation Acoustic, Fender Acoustic

Signal Path: Garmopat-modded Vox V847 wah > Emma Discumbobulator > TS808 silver > TS9 silver > Ross Compressor (grey) > Alesis Microverb (reverb) > Mesa Boogie Mark III with custom 2x12 AO cabinet (speakers: Tone Tubby & Emminence Commonwealth).

Loop 1: Whammy II > Nova Delay
Loop 2: Alesis Microverb (reverse) > Ibanez DM2000 > CAE Super Trem > Black Cat Vibe
Loop 3 Boomerang+
Tuner: Boss TU-3

Effects not in use:  Voce Spin II (leslie sim), Boss DD6, Digitech RPM-1 (leslie sim), Analogman Orange Squeeze, Keeley 4knob Comp, Ernie Ball Volume Pedal, Super Hard On (boost), Ibanez AW7 (autowah), Denelectro French Fries (autowah) - If interested in any of these PM me.  Always willing to deal.

GonePhishing46

I just want to build some cabs as a project. I need a new one and wanted to know some good wood choices. I have some free time right now so I thought it would be fun to build one myself.
Custom Hollowbody -> TS-10 -> TS-9 modded -> Ross Compressor -> Whammy II (True Bypass) -> Tuner -> Black Cat Vibe -> Alesis Quadraverb -> Groove Tubes Soul-O-75 -> Groove Tubes 4x10 Cabinet || Hammond Leslie

cactuskeeb

Definitely, definitely, do your homework on this.  It's not as easy as it may seem.

Walker done done

Quote from: posternutbag on January 28, 2010, 12:49:13 PM
There is a million and one mods for a tube amp.

But if you dont like the way it sounds to start with, your better off selling it, and getting another amp.

Because the breakup will never change. Sure you can make it breakup sooner, or later, but really your talking about variations of the same thing.

Expensive tubes are over rated and over priced.

Id argue that if you could afford to, just wrap it in a plastic garbage bag, tape it up, and keep it in the back of your closet.

By the time your kid wants to go to summer camp, flip that fucker on ebay in a few years for a killer profit.

_______________________________

RE: the languedoc cabinets, id argue that any properly made closed back, dove tail jointed cabinet, made of either pine or birtch, would nail it right on the head. Why you would want to clone those cabs though? I have no idea. Sounds like a Jackson sneed move

If youve got any money, go to hardtruckers, and get a real cabinet

Well, it's not the breakup that I'm taking issue with (at least not yet). 

Anyone got anything else?  How 'bout you 'Keeb?  Any insight?
Guitars: Resurrection Phishy Hollowbody (koa top/back, cedar sides, Schaller Golden 50 pups, 2 series/single coil/parallel switches), Gibson SG Faded, Dean Evo, Fender Tele, Ovation Acoustic, Fender Acoustic

Signal Path: Garmopat-modded Vox V847 wah > Emma Discumbobulator > TS808 silver > TS9 silver > Ross Compressor (grey) > Alesis Microverb (reverb) > Mesa Boogie Mark III with custom 2x12 AO cabinet (speakers: Tone Tubby & Emminence Commonwealth).

Loop 1: Whammy II > Nova Delay
Loop 2: Alesis Microverb (reverse) > Ibanez DM2000 > CAE Super Trem > Black Cat Vibe
Loop 3 Boomerang+
Tuner: Boss TU-3

Effects not in use:  Voce Spin II (leslie sim), Boss DD6, Digitech RPM-1 (leslie sim), Analogman Orange Squeeze, Keeley 4knob Comp, Ernie Ball Volume Pedal, Super Hard On (boost), Ibanez AW7 (autowah), Denelectro French Fries (autowah) - If interested in any of these PM me.  Always willing to deal.

GonePhishing46

Walker, this doesn't really address your problem, but I've read that some people wire a R2 Master Volume knob on the back of the amp where the Direct "Slave" knob is. I haven't read into how to do it yet, but it's supposed to be pretty useful if you never use the direct out.
Custom Hollowbody -> TS-10 -> TS-9 modded -> Ross Compressor -> Whammy II (True Bypass) -> Tuner -> Black Cat Vibe -> Alesis Quadraverb -> Groove Tubes Soul-O-75 -> Groove Tubes 4x10 Cabinet || Hammond Leslie

cactuskeeb

#6
Walker done done,
I have to concur with your boogie experience; I've had two of them in the past (a mark IIc and a mark III) and both of them sounded lifeless.  And adding something to the effects loop only exacerbated the problem.  My theory is Trey tried dozens of boogies before settling on the ones (two of them now) he liked, then had them overhauled by the best amp tech(s) in the biz.  

EDIT: It's worth pointing out as well that the likelihood that Trey used the same boogie head for any length of time is slim to none.  In other words, the boogies he's using now mos def do not include any one of the numerous he had to have gone through in the late eighties/early nineties.  

Walker done done

So you don't think tossing a different speaker in there will help?  I'm sure the obvious answer is "go ahead and try", but I hear an underlying tone of "chances are it won't".  Ah well.  We'll see how she goes a little longer. 
Guitars: Resurrection Phishy Hollowbody (koa top/back, cedar sides, Schaller Golden 50 pups, 2 series/single coil/parallel switches), Gibson SG Faded, Dean Evo, Fender Tele, Ovation Acoustic, Fender Acoustic

Signal Path: Garmopat-modded Vox V847 wah > Emma Discumbobulator > TS808 silver > TS9 silver > Ross Compressor (grey) > Alesis Microverb (reverb) > Mesa Boogie Mark III with custom 2x12 AO cabinet (speakers: Tone Tubby & Emminence Commonwealth).

Loop 1: Whammy II > Nova Delay
Loop 2: Alesis Microverb (reverse) > Ibanez DM2000 > CAE Super Trem > Black Cat Vibe
Loop 3 Boomerang+
Tuner: Boss TU-3

Effects not in use:  Voce Spin II (leslie sim), Boss DD6, Digitech RPM-1 (leslie sim), Analogman Orange Squeeze, Keeley 4knob Comp, Ernie Ball Volume Pedal, Super Hard On (boost), Ibanez AW7 (autowah), Denelectro French Fries (autowah) - If interested in any of these PM me.  Always willing to deal.

cactuskeeb

Quote from: Walker done done on February 01, 2010, 11:16:26 AM
So you don't think tossing a different speaker in there will help?  I'm sure the obvious answer is "go ahead and try", but I hear an underlying tone of "chances are it won't".  Ah well.  We'll see how she goes a little longer. 

The reason why your hot-rod sounds better is that it has been specifically voiced to sound a certain way--it was engineered to have a specific tonal flavor, so that when someone walks into a music store and plugs into one, it has an appealing "character" right off the bat.  The Mark III is a totally different thing, altogether: it has no pre-dialed in tonal character of its own (other than a slight mid-range hump); thus, anything to do TO the amp (like the tubes you put in there, the speaker [put your tone tubby in there...why not?], the front panel settings, etc.) is going to define it's character.  It is very much like a deluxe reverb, in this sense. 

GDCSH-1

What speakers are loaded in the HT cab ?
"Make Your Move To Improve Your Groove" -Magic Hat cap

raisingfreen

Walker, this stuff is going to drive you nuts. When your ready and have approx  $120 laying around, take the amp to the guy AO mentioned in SOPO. He completely rewired (the twisted ones) the inside of my old deluxe reverb and didn't even charge me for it. He did charge me for some minor fixes and some caps and labor... It just bothered him so he fixed it! It was night and day. Just give him 2 weeks to play with it and then he will call you. It will either be great (to you) or you at that point it will be in tip top shape for someone else to buy. Sometimes this tube amp mod/tone stuff can be so confusing that the answer is so simple its hard to understand. It may very well me something extremely simple internally. There is a science to the travel path of the signal and if something is off and or slightly blocked, stuffed up etc... (while it may work) it just wont sound good.

That said, I will give you 850 Reece Cups for it if all else fails.

BTW, one piece of advice that I had never heard of was to never use the metal tube covers in the preamp section. (take them off) They actually work against the way the tube signal is supposed to flow. This fact is also documented in the fender tube amp book.
AO Guitars - Venus Hollow Rim w/Wolftone Dr. Vintage Humbuckers
Signal: Tuner>MXR Dist+>Ross Comp>RV-3>Alesis Nano>Silverface Vibrolux